When the Statue of Liberty Was an Egyptian Peasant

Mazel tov: The Statue of Liberty, lit up for the Moet & Chandon Fabulous Fete on Liberty Island in September 2006--another bubbly French American occasion centered on the statue, whose Egyptian origins often go unmentioned. (Bryan Bedder/Getty Images for Moet & Chandon)
No, Miss Liberty of Statue-of-Liberty fame wasn’t always imagined as the scowling, linebacker-throated Midwestern matron of steely spiky Germanic stock that she is today. She was supposed to look like an Arab peasant, robed in the folds of Muslim precepts. She wasn’t even supposed to be eternally standing at the entrance of New York Harbor, warning new arrivals to the New World about New Jersey to her right. That’s all schoolbook revisionism designed not to traumatize young American pupils with the reality behind Liberty: that she was supposed to be the welcome ma’am at the entrance of the Suez Canal in Egypt, that her name was supposed to be either Egypt or Progress, and that the flame she was brandishing was to symbolize the light she was bringing to Asia, which had claims to newness all its own.
All this from the imaginative scruffles of Frédéric Auguste Bartholdi, the Alsatian-French sculptor who’d fallen in love with his own Orientalist fantasies about the Middle East after a trip to Egypt’s Luxor spreads in 1855. He liked Egypt’s colossal sculptures, those “granite beings of imperturpable majesty” with their eyes seemingly “fixed on the limitless future.” He liked just as much the then-fashionable notions of Europeans thinking themselves the “Orient”’s best thing since unsliced baklava. Bartholdi returned to Egypt in 1869 with the blueprints for a toga-draped giant of a woman who’d double-up as a lighthouse at the entrance of the Suez Canal, which opened that year to fanfare and (British and French) stockholders’ delight.
The Suez Canal may have been in Egypt. But Egypt wasn’t reaping its monetary benefits. As Bartholdi was sketching one likeness of his great statue after another, it became apparent that his plan would never get Egypt’s financing. Bartholdi was crushed. He sailed to New York. And there, as his ship was entering New York Harbor, he saw Bedloe’s Island, deserted, oval-shaped, perfectly positioned to bear his creation. And there it was dedicated on Oct. 28, 1886, in sheets of rain and granite words from President Grover Cleveland.
Read the full story, "The Statue of Liberty's Egyptian Origins." And Happy Fourth.
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